In 1933, a young woman leaves her rural home to chase her dream of becoming a writer in the city. She takes a job as a maid for a middle-aged printing house owner who quickly starts pursuing her romantically. They marry, but his passionate declarations of love soon turn cold. As political tensions rise in the country, their love story unfolds in a divided society, revealing toxic behaviours and power games that start innocently but lead to dire consequences.

一位即将失去全部视力的年轻人，通过不懈努力，终于成为慕尼黑一家五星级豪华酒店餐厅服务生。

Ideas about the soul and the afterlife, of sin and God's purpose have shaped human thinking for thousands of years. Religious rituals remain embedded in the major events of our lives. 　　In this thought-provoking series, evolutionary biologist Richard Dawkins asks what happens if we leave religion behind. 　　He explores what reason and science might offer to inspire and guide our lives in religion's place. Can science bring understanding in the face of death, help us tell right from wrong, or reveal the meaning of life?

Ideas about the soul and the afterlife, of sin and God's purpose have shaped human thinking for thousands of years. Religious rituals remain embedded in the major events of our lives. 　　In this thought-provoking series, evolutionary biologist Richard Dawkins asks what happens if we leave religion behind. 　　He explores what reason and science might offer to inspire and guide our lives in religion's place. Can science bring understanding in the face of death, help us tell right from wrong, or reveal the meaning of life?

本片详述这位世界上最受欢迎艺术家的生平事蹟，他的创作以及传奇，有名人画迷及莫内后人的访谈，另外还记录了莫内80幅画作的旷世之展，从波士顿横跨大西洋移赴伦敦展览，这段不可能的旅程，道尽其中所涵盖的危险、机密以及艰辛。

本片详述这位世界上最受欢迎艺术家的生平事蹟，他的创作以及传奇，有名人画迷及莫内后人的访谈，另外还记录了莫内80幅画作的旷世之展，从波士顿横跨大西洋移赴伦敦展览，这段不可能的旅程，道尽其中所涵盖的危险、机密以及艰辛。

围绕着沉睡的身体，幽灵在建筑中逡巡，静默地穿梭在空间之中：它们的行为目不可视，除了手电筒灯光中影影绰绰闪动的碎片。《莫奈尔》是一道回环，既无叙事也无层级，既无开端也无结局，陷于混乱和模糊的地带，截然不同的质料与手法——从35毫米胶片到CGI动画，为这部结构性的惊悚影片赋予了双重性格。

围绕着沉睡的身体，幽灵在建筑中逡巡，静默地穿梭在空间之中：它们的行为目不可视，除了手电筒灯光中影影绰绰闪动的碎片。《莫奈尔》是一道回环，既无叙事也无层级，既无开端也无结局，陷于混乱和模糊的地带，截然不同的质料与手法——从35毫米胶片到CGI动画，为这部结构性的惊悚影片赋予了双重性格。

伴随着Claude Monet和他的政治家朋友George Clemenceau之间的交谈，这个沉思式的 VR 体验邀请观众参与到一场感官之旅。旅程从Claude Monet的花园出发，中途在艺术家的工作室稍作停留，最后在橘园博物馆的展览室结束。 　　In 1883 painter Claude Monet first rented a house in the French town of Giverny. After purchasing the property and adjoining land, the artist transformed an existing small pond into a water garden with water lilies and a Japanese-style bridge from which he could observe the water and the flowers. From 1899 to 1926, Monet painted more than 250 scenes devoted to the water lily theme, which became what he himself called “an obsession.” 　　Through a dialogue between Claude Monet and his old friend, stateman George Clemenceau, this contemplative VR experience invites you on a sensory journey starting off in Claude Monet’s garden, stopping along the way at the workshop of the artist and ending in the exhibition rooms of the Orangerie Museum. You relive a perpetual renewal of nature, to explore time and space while immersed in the Water lilies paintings.

伴随着Claude Monet和他的政治家朋友George Clemenceau之间的交谈，这个沉思式的 VR 体验邀请观众参与到一场感官之旅。旅程从Claude Monet的花园出发，中途在艺术家的工作室稍作停留，最后在橘园博物馆的展览室结束。 　　In 1883 painter Claude Monet first rented a house in the French town of Giverny. After purchasing the property and adjoining land, the artist transformed an existing small pond into a water garden with water lilies and a Japanese-style bridge from which he could observe the water and the flowers. From 1899 to 1926, Monet painted more than 250 scenes devoted to the water lily theme, which became what he himself called “an obsession.” 　　Through a dialogue between Claude Monet and his old friend, stateman George Clemenceau, this contemplative VR experience invites you on a sensory journey starting off in Claude Monet’s garden, stopping along the way at the workshop of the artist and ending in the exhibition rooms of the Orangerie Museum. You relive a perpetual renewal of nature, to explore time and space while immersed in the Water lilies paintings.